Monday, 30 July 2012

Red Baraat--Bhagra Funk Dhol 'n' Brass Band

 
While in Germany this weekend I happened upon a huge crowd surrounding a band on stage in a Nuremberg city square.  The sound was interesting and I wanted to see what everyone was screaming and dancing around about.  I had come across the band named Red Baraat. They are considered a Bhangra Funk band.  The word Dhol is the type of drum they play and the brass refers to the regular brass instruments such as trumpet and tuba.  The band was pretty great and the Germans seemed to really enjoy them!  

Here is a blurb from their website:

"In just three short years, the pioneering Brooklyn dhol ‘n’ brass party juggernaut Red Baraat have made a name for themselves as one of the best live bands playing anywhere in the world. Led by dhol player Sunny Jain, the nine piece comprised of dhol (double-sided barrel shaped North Indian drum slung over one shoulder) drumset, percussion, sousaphone and five horns, melds the infectious North Indian rhythm Bhangra with a host of sounds, namely funk, go-go, latin, and jazz. Simply put, Sunny Jain and Red Baraat have created and defined a sound entirely their own."

Here is the website where you can find out more about them and listen to some of their music if you'd like: 


Red Baraat at Montreal International Jazz Festival:


P.S.: The sound was better outside when I saw them than in this video.

Future Blog Suggestions

Doggies increase the readership of these posts.


What to do?  What to do?
We've covered a lot of ground on the blog--some of it surprising.  What's left to talk about?  Here are some suggestions.
You could do a little research and report on it--maybe of a single country and their colonial experience and why/when folks started "coming home" to England.  Nigeria, Kenya, Zimbabwe, India. Pakistan, Bangladesh, etc.
You could look for some blogs that cover the Black and Brown Brit/European experience and inform us about/ link us to those blogs.
Maybe someone thought of my suggestions for seeing Ireland/ Scotland as colonial/postcolonial nations.
Look for brown subcultural phenomena and inform us.
Comment on the suggestions for further reading/viewing, with your own suggestions--someone mentioned Attack the Block, for instance.
Do some research on contemporary theater and some black playwright/ practitioners.  Kwame Kwei Armah would be a good place to start.
Music.  Food.  Chance encounters.  More Music.  Etc.

If you have an A for blogging, maybe best to leave some of these post topics for some folks who need to catch up--you can always comment on new posts.  Maybe by the weekend the goal will simply be to enhance the quality of the blog.  You could also make other suggestions for blog posts here.

Sunday, 29 July 2012

The Queen @ Olympics


Thought this meme was kind of appropriate for our blog, since we've been talking a lot about Post-Colonialism

Saturday, 28 July 2012

London - The International City

Wow. What an amazing Opening Ceremony to the 2012 Olympics!

They covered British history and influence while highlighting many of the nation's true tokens. My favorite part was the constantly flowing history lesson. Apart from the amazing set design, something about the actors struck me. During the Industrial Revolution section many of the businessmen were running around in top hats. Did anybody else notice that some of these men were of Southeast Asian or African decent? Something tells me that kind of diversity wasn't present in the 1750s. The ceremony continued with various ethnicities seen in presentations of music and culture of the Great Britain, and of course, culminated with the welcoming of 204 nations from around the globe. All of this made me think of a BBC statement from the pre-ceremony broadcast. The tour guide of London noted that the city is now home to over 300 language groups. At that point I realized London truly is the international city of the 21st century. Not Paris, not even New York, though I consider both to be contenders. There is a reason that London beat out these cities for the 2012 bid.

The overall ceremony reminded me of this course. When the Bangladesh athletes entered the stadium, I thought of Brick Lane. When Jamaica and other caribbean nations entered I thought of The Lonely Londoners. The United Kingdom doesn't exactly have the best history of bringing foreigners to its country, but the artistry of the Opening Ceremony was its symbolism. Of course, part of the peaceful unity concept is fueled by the IOC (International Olympic Committee), but I honestly think it meant more for London. The Olympics are just an exaggerated form of the current city. The games celebrate the city's rich diversity, and I believe that the celebration of diversity is something we risk overlooking in this course. We talk often about the hardships of immigrants, but there is also something to be said about the beauty of London's rich diversity and immigrant population. Yes, there are many issues that face these communities. In fact, we're reading about some now in The Riots. I, however, challenge everybody to take a step back and admire the cultural hub that is London.


Oh, and don't forget to cheer on the 21 competing Longhorns! And Team USA in general.

Tuesday, 24 July 2012

Reading/ film suggestions

If you are finding a comfort level with this material and would like other facets explored, here are a few suggestions:

Caryl Phillips (Hailing from Guyana) is a prolific writer/intellectual.  A Distant Shore is kind of a masterpiece, with Black and White perspectives on African immigration to England.
Nasdeem Aslam.  Maps for Lost Lovers takes place in a kind of imagined Pakistani community within England.  Powerful plot in a beautifully written novel.  Take your time with this.  His The Wasted Vigil is terrific, as well (but not for this course).
Salman Rushdie.  East/West is a book of short stories.  West is here in olde England.  I'm not the biggest Rushdie fan, (beyond Midnight's Children), but these stories are good.  "The Courter" is hilarious.
I'm not the biggest Zadie Smith fan, either.  Couldn't get into White Teeth.  But a lot of people love it, so I list it here.

My Beautiful Launderette.  A nice film by the writer Hanif Kureshi.
Dirty, Pretty Things.  The refugee underworld, and also the black market for human organs.
Welcome is a very good French film where a North African immigrant trains to swim the English Channel from Calais to reach England illegally.
Masala is a Canadian film that I found hilarious (there's an older woman who can gain access to the god Krishna through her video cassette recorder).

What else?

Bangladeshi Actors

While watching Brick Lane I suspected that the actors in the film were not from Bangladesh, and found myself wondering about the extent to which Bangladeshi people have interacted with Western film, and even film in general. Here's what I've found out:

According to IMDB, the three main actors in Brick Lane are not in fact Bangladeshi. The woman who plays Nazneen, Tannishtha Chatterjee, and the man who plays Chanu, Satish Kaushik, are both Indian. (Satish Kaushik is also a writer, producer, and director of films). The actor who plays Karim, Christopher Simpson, was born in Dublin to an Irish father and a Greek-Rwandan mother.

As for Bangladesh actors in Western film. I found a few articles claiming that Sumalya Ahmed is cast to be the first Bangladeshi actress to play a heroine role in a Hollywood movie "Humble River", which is supposed to come out in 2013 (although it should be noted that most of these articles were from slightly sketchy-looking sources).  It seems that Bangladeshi actors are quite integrated into Bollywood movies, though. If you go down Wikipedia's list of Bangladeshi actors, probably about eighty percent of them have the word "Bollywood" next to their name.  I found a few who have dappled in some Western works, mostly TV, such as Lisa Ray(who guest-starred in Psych, apparently!).

My third curiosity-- the presence of a Bangladeshi film industry-- turned up results, although it is interesting that initially typing "Bangladeshi film" into Google gave me a bunch of hits for sites where I could download "Bangla movies for free!" Bangladesh does have its own thriving film industry, sometimes known as "Dhallywood" (as in Dhaka + Hollywood), and according to good old Wikipedia produces about 50 movies a year. There is a Bangladesh Film Archive that can be accessed online here: http://www.bfa.gov.bd/ 



Monday, 23 July 2012

9/11, european xenophobia and the misuse of the word "random"


Recently, I have heard a lot of talk about 9/11. Some locals were talking about it at the Peak District hotel and now we discussed it in class, so I thought I'd talk about a experience I had on my way to Paris. It is impressive that an event that happened almost 11 years ago still has enormous consequences throughout the world.
So, my train schedule was tight and I had to run to check in. The train security is not nearly as crazy as airport security, but there still a protocol to be followed, and a lot of time was lost while having bags scanned and going though the line to the metal detector. With less than 15 minutes to spare, I found myself in a very short line. That special line for people in risk of losing their rides. I calmed down a little bit because there were only a couple of people in front of me and Addison and I still had 13 minutes to go. That is when I realized them man right in front of us was Middle Eastern (and wearing tradition clothes, complete with headgear). For one microsecond I though "Oh, shoot, they are going to stop this man and I'll love my train" (very selfish, I know), but then I rationalized: we are in a rush, this is the fast line... The border agents aren’t stopping anyone, why would he stop that man? The discrimination towards Muslims and Middle Eastern people has subside throughout the last year. The boarder agent is only going to stamp his passport and let him go.
But surprise! the man was stopped. The young lady organizing the lines changed me and Addison to another queue as soon as she saw the man, trying to reason with the agent (which, it seems, stopped him for no reason). That other line had 5 people in it already, but how long does it take to stamp a passport, really? So when I cross the English/French boarder, with some 8 minutes to spare, I looked back and saw the Middle Eastern man still there.
The good part to this story is that I didn't lose my train to Paris, the bad part is that the consequences of the prejudice institutionalized by the post 9/11 security measures are still humiliating, demeaning and annoying a lot of people. It gets you thinking. That "terrorist" attack, supposedly planned by Muslim extremists (I have my doubts, but I'm not gonna get into conspiracy theory right now) really backfire on your average Muslim, who is a good and respected member of his community, has children, pets, hobbies and doesn't own guns or any explosive device.

It is no secret that the richer European nations (mainly France, England and Germany) do like their xenophobia, and that things have been hard for middle eastern, asian and african immigrants around west Europe for a while before the twin towers tumbled down in a pile of dust and fire, but the 9/11 "terrorist" attack just made things worse for everyone. It basically allowed a bunch of nations to institutionalize racism, specifically in boarder control points.
On 9/12, it was perfectly okey to stop a man in immigration just because he had a longer beard and a "muslim name" (by muslim name, I mean names taken from the Qur'an and other muslim religious texts). "Are you dark skinned, are you from the middle east? so why, sir, you must be a suicide bomber".
I am not opposed to airport security (or to security in general) in any way. I don't mind having my documents and personal belongings checked, if that means I'll be less likely to be killed in an airplane (or any other mean of transportation/place, actually), but I do mind when some people get checked more than others.
They call it "Random selection" in the US, but it is a method used in many nations. The boarder police is allowed to stop any person they want, and it is completely "random", of course. Those "randomly" selected people are subject to monetary losses due to lost airplanes/trains/boats, humiliation and the temporary sanction of their rights. Of course, it is a right of every sovereign nation to allow or deny the entry of foreigners in their territory as they may, but it is still alarming that today, almost 11 years after the attack to the World Trade Center, muslims or non-muslim middle eastern people have to suffer through the drag of being "randomly selected".

FYI for the PR people that coined the term "random selection": it is not random if it's base on what a person looks, what's the person name is or where a person's passport was emitted. It would be random if every boarder control agents had an electronic device (an app, who know) that biped at random intervals, based on a logarithm unknown by said agents. 


A "Colorful" Song from Brick Lane

While watching the movie version of Brick Lane, I noticed a familiar song playing in the background during the scene where Nazneen first visits Razia's house. It was a famous Bollywood song called "Mujhe Rang De," literally meaning "Give Me Color." It could also be translated as "Make My Life Colorful." It made me think about how Razia, who adopts many British practices and takes control of her own life, could be said to have a more colorful life than Nazneen.

Here's a video of the song from the original movie, Thakshak:


The video is about seven minutes long, but watching the first minute or minute and a half is probably enough to give you an idea. Be warned; it's pretty catchy.

Chatsworth and Diversity?!

As I stood on the line to enter Chatsworth Manor with quite a few people with roughly my racial profile, I thought of these heritage sites and diversity.  To tell the truth, it was after a number of such trips on my last Oxford Summer Program that I arrived at the idea of doing this course.
But in Chatsworth, I am reminded that a concern for cultural richness is not just a 20th/21st century concern, as some of the holdings remind us that Africa was "discovered" by the west hundreds of years ago.  Maybe these beautiful objects can be dismissed as a kind of Orientalism.  Or, maybe they are a reminder of the wide palette of ideas of "beauty" that can always exist.  Anyway, I was pleased to spy these among the general opulence, and it fired some thoughts about diversity, orientalism, beauty.

you can see a better image of these at http://blackartblog.blackartdepot.com/features/african-american-monuments-statues/african-venus-said-abdullah-charles-cordier.html



Friday, 20 July 2012

Robben Island Bible

Yesterday at the British Museum, whilst walking through "Shakespeare: Staging the World," I was particularly struck by the ending piece to the exhibition: The Robben Island Bible.
For those of you that saw the piece, I'm sure you also thought it absolutely fascinating. For those of you that didn't see it, I'll explain. The Robben Island Bible is not actually a true "Bible," but instead, a copy of Shakespeare's collected works. Sonny Venkatrathnam, a political prisoner at Robben Island in the 1970s, is the owner. Robben Island had a strict ban on non-religious texts being owned by their prisoners, so Sonny covered the outside of the bible with Hindu gods and goddesses and told the guards that the book was called, "The Bible by William Shakespeare."
The Robben Island Bible Cover



Sonny passed the book around to his fellow political prisoners that were involved in the struggle against  apartheid and asked them to mark their favorite passages. Some of these other notable individuals were Nelson Mandela and Ahmed Kathrada. The book on display was open to the passage from Julius Caesar marked by Mandela: Cowards die many times before their deathsThe valiant never taste of death but once.Of all the wonders that I have heard,It seems to me most strange that men should fear;Seeing that death, a necessary end,Will come when it will come.The other passages have been captured digitally and were playing in loops on three LCD screens right behind the actual book.I thought this was honestly the coolest thing I had seen in a long time, and, if we're being even more honest, I'm not even a huge fan of Shakespeare (please, don't shoot). Seeing the different passages that each political figure marked, contemplating why may have marked them, realizing how amazing it is that Shakespeare played even a small role--perhaps just positively connecting these figures in an extremely dark time--in such an important political struggle even in our time. I was just blown away.


So when I returned home, got on my computer, and started to look into this amazing book, I was severely disappointed to find this: http://www.thestar.com/news/world/article/1229077--african-national-congress-disputes-iconic-status-of-robben-island-bible-displayed-in-british-museum


It made me wonder how many people could possibly feel the same way. The fact that one of the prisoners didn't even recall which passage he marked really made me feel disappointed. I wonder if any of the other prisoners felt the same way about this artifact: dismissive, indifferent, forgetful.It made me wonder how many people could possibly feel the same way. The fact that one of the prisoners didn't even recall which passage he marked really made me feel disappointed. I wonder if any of the other prisoners felt the same way about this artifact: dismissive, indifferent, forgetful.


But after some thought, I did see how this could be frustrating to the actual political figures. It highlights Shakespeare, not the fight against apartheid. Sure, it's fascinating that Shakespeare had a tiny role in the lives of these important figures. But what's really more important? Shakespeare? Or this political conflict? The exhibit has you walking out thinking the more important one is Shakespeare, with the giant quote on the wall about how Shakespeare still influences us today. 


Did anyone else think they sort of deadened the issue of apartheid too much? I know the exhibit was for Shakespeare. I know.... I know. Honestly, I loved the Robben Island Bible, and I found it inspiring and moving. But I hadn't considered what it meant to those more closely connected to the political conflict. But I'm curious to see what everyone else thinks.




Side note: I apologize for the formatting problems. It appears my post decided to highlight itself with white and change fonts. Thanks to copying quotations. How unfortunate.

Thursday, 19 July 2012

Brick Lane and the Bahraini

My rich Aunt Jill poured me enough Riesling at dinner last night for it to take me three stops to realize I had boarded the right tube line going the wrong direction. Aunt Jill retired at thirty through some lucky moves and a lot of work in the internet boom. She and my uncle have the resources to have the highest discretion over what they eat, and--in their excitement to drink and eat with me in a city we all love--they spared no expense.

The Indian cuisine I ate in Kensington was the best I have ever had in my life, and (unless literary interest turns into a form of great financial acquisition) probably the best I will ever have. We had artichoke soup, aloo chole, a salad of beets and naan, and devoured three entrees between us of chicken and prawn. We drank two bottles of expensive Riesling. For dessert we ate chocolate stuffed samosas. With six months between our last meeting, we had plenty to discuss. As connoisseurs of all forms of beauty, they were most interested about which books we were reading. I told them all about Brick Lane. They told me to read White Teeth by Zadie Smith which--in a lucky coincidence--I had just bought at Blackwells a few days before.

The food, wine, and conversation were exceptional. So was my tube mistake.

After realizing my blunder, I hopped off at the next station which was notably not quite as pristine as the one at Glocester Road. I scurried up the steps and over the bridge to the platform on the other side just in time to jump onto the approaching east bound train. Now having eight stops instead of three to Victoria Station, I pulled out Brick Lane. I read three words.

"Excuse me, are you a Londoner?"

"No. I'm not. I'm sorry."

"Where are you from?"

"I'm an American."

"I'm from Bahrain. Every one in London is misplaced. "

The man from Bahrain and I discussed Brick Lane. He did not like the novel because he found the main character unapproachable. I disagreed. I told him that I have not found a passage as moving or as approachable as the protagonist's internal dialogue about fate early in the book. He did not like that Monica Ali was not actually from Bangladesh. I was indifferent.

He introduced me to his wife who was fully veiled.

"Did you read the book?" I asked.

"Of course,"she winked, "I am the reader. My husband is the talker."

I asked them how long they had lived in London. They told me twenty years. I made a joke about them being almost fully Londoners. The man told me no, London may not be the most accepting place in the world, but it is a place that does not demand conformity.

My stop came. I minded the gap and got on my bus back to Oxford, but that phrase stuck with me more than anything said over dinner.

Everyone in London is misplaced.



Wednesday, 18 July 2012

Tuesday, 17 July 2012

Multicultural Booksellers


I am not sure how relevant this is to our class but when I was walking around Oxford today, I found this small independent bookstore and cafe. They say that they sell primarily alternative culture fiction. The thing that I found really interesting about it is that right down the road is the home of Oxford University Press that primarily publishes and sells classics and educational reading. The juxaposition between these two bookselling worlds is intriguing and just goes to show how every facet of human life has aspects of multiculturalism, even bookselling in Oxford.

Monday, 16 July 2012

Begging


I saw this muslin women begging in the busy streets of the Champs Elysees.

Beggars make me uneasy: sometimes I feel like emptying the whole content of my pockets on their begging hats, cups and hands, and sometimes a silent type of greed takes hold of me and I cannot immagine myself parting with a single coin. What makes my feelings towards beggars inconstant is the lack of information. I wish I knew why they ended up begging in the streets. Is it desperation, or is it because begging is easier than working?

I come from a family of poor people who prospered through education and hard work in a country where quality public education and heath care are rarities, and although they were poor, begging was never an option. Working hard was, studying hard was. That is why I wonder: could this woman, begging in the streets fully clothed, with seemingly decent shoes, be working? Could she find other means to feed herself and possibly her family?
I have seen so many barefoot children wearing rags walking in groups by the beach, trying to survive one day at a time, that I feel a woman like this, kneeling in the streets for hours, but fully clothed agains the mild cold of Paris, should feel ashamed to beg, and not I ashamed to give. I have seen people who have less sharing their hard earned food with others.

On the other hand, there I stood, in this temple of Consumerism that is the Champs Elysees, with money to spend on presents and souvenirs, while this women spend hours in her knees for the occasional change. Does she have a house? Does she have food in that house? Maybe...

Would you give?

"Multicultural" Cardiff

This past weekend, I travelled to Wales. I planned to hike up a mountain and eat some delicious food, but I didn't expect to encounter such cultural diversity. On the bus, especially, I heard at least four different languages and saw every skin color imaginable. By the time I reached Cardiff Bay on my last day, then, I was not surprised when an Indian man handed me a brochure for a Multicultural Mela (Hindi for "festival" or "fair"). What did surprise me as I looked through the brochure was the fact that every single one of the events, food booths, and distinguished guests at the festival was South Asian. It seemed strange that the word multicultural should be used to describe an event celebrating only one culture (although I acknowledge that "South Asia" is a region with much religious and linguistic diversity). It was also a bit funny that out of the three people in my group walking together, he chose to hand the brochure to the Indian girl rather than one of the two white girls; when I hesitated, he even added that there would be a lot of curry! Since we're about to start discussing Brick Lane, I thought it'd be interesting to see what people thought about the use of the word multicultural in this context.

Sunday, 15 July 2012

Over the course of my travels and employment as a camp counselor I have had the pleasure to meet and befriend people from a wide range of nationalities, mostly from the ex-British Empire and current Commonwealth. I haven't as of yet had the opportunity to experience anything like the kind of enlightening conversation Mitchell had, and revisiting my experience in Brixton will only trod over ground well broken by Kelsey and make me yearn for Caribbean street food, so I plan on starting up a email correspondence/ interview of sorts with my international comrades on the subject of race relations. All of my friends are educated white men who come from various sectors British society, and most of them take a more conservative stance on the topic of immigration. As the weeks go on I will regularly try and post the results of these interviews (either verbatim transcripts or summaries)  for the class to read over, maybe even inviting my friends to post on the comments section below each entry. I personally think it will be interesting to get the local's perspective and see the resulting dialogue.

 Best wishes!

Does "new" modify "British," or "voice"?


I had an enchanting conversation about literature, the arts, the effect of media on public policy and the effect of the internet on media with a homeless man yesterday, and in spite of it possibly being the most noteworthy thing to happen to me so far on this trip I'm not sure if I should mention it here.

Situational awareness not being my strongest feature I had overlooked on no less than twelve or thirteen separate occasions that there are at least two grocery stores maybe three blocks away from here down Broad Street, and so when I finally got tired of skipping meals after a week of no lunches I struck off north from Wadham College and spent upwards of three hours wandering about aimlessly.

(This could have been avoided if I'd printed off some sort of map beforehand, but I'd thought that getting lost and finding my way back again would be a fun way to pass the late afternoon as I waited for the productive hours of the evening to arrive. It wasn't, but I digress.)

On the way back I happened across a little cooperative store and bought delicious sandwich things enough to last for the next week at least for the price of a single meal from one of the local restaurants, and having managed to do so at a store that--if the stickers plastered everywhere were to be believed--prided itself on its membership in the Fair Trade movement, I was experiencing a sensation I'd like to describe as financial smugness as I finally got my bearings, realized I had wound up almost directly west of the college, made for home.

He was sitting outside of one of those groceries just off of Broad Street, with his two layers of insulation--both stained with something brownish and unidentifiable--the suitcase with his worldly possessions, his dog and his begging hat. I try to always keep some spare change on my for meeting people like him, and having just paid for four pounds of food with a twenty pound note I had quite a bit more than usual, so I didn't even think about it when I dropped a fistful of coins on top of the pile that was already there in front of him.

The homeless beggars in Austin have a thank-you-kindly-sir routine, so I thought nothing of it when he made his display of gratitude, but then he asked me where I was going and that brought me to a halt. I've not yet had one back home do that. There was a brief but uncomfortable pause as I weighed my expectations, but quickly decided that it couldn't hurt to tell him. That led naturally into him asking what I was doing at Wadham, and when I told him that I'm here to study British literature the politely interested look on his face became genuine.

Literature had been one of his A-Level subjects, you see, when he had been getting ready for college.

Admitting that I'd never read Milton horrified him, but a quick redirection toward more recent visionaries in speculative fiction saw us reconciled over a shared love of Adams and Banks. He'd never been much for "women authors" and couldn't comment on Austen for me, but was more than happy to suggest some reading in the crime genre. On the nonfiction end of things, my criticism of Michael Moore's use of hyperbolic language in his political writings sounded to him a bit over intellectualized, and I was forced to cede that an intentionally inflammatory style of journalism is useful with certain audiences--even if it was a bit pathetic to try to stack Moore up against Hunter S. Thompson.

Evening slipped in through the pauses for breath. There were more than enough for it to fit, given that we talked for almost half an hour. It would be silly to give a blow-by-blow of our dialogue, and also unnecessary; you've probably already got a feel for it. He was widely and well read on subjects historic, present and fictional, and delighted in it. The worst thing about his position, he said, was that being on the streets meant that he didn't have access to the resources to write effectively.

I've been procrastinating on a story I want to write for about four months now. That comment stung in a way I'd not known was possible.

Sam Selvon was wrong, incidentally, about the emotions that motivate people to give to the manifestly poor. It wasn't shame or guilt that I felt when I approached him, or as I stood there talking to him. Those come later, when you're walking away with another hundred pounds in your wallet trying furiously to stop yourself from calculating the marginal utility of that money in your hands versus his because you know if you do you'll realize that the only reason you dumped a pile of coins into his hat and not a pile of bills is that your ethical cognition is biased. Standing in front of that man, watching his eyebrows sketch the animated tracery of genuine pleasure under the brim of his grimy stocking cap as he laid out his understanding of the telecoms regulations that made it more profitable for HBO to demand a cable subscription than to switch to online distribution, the appropriate response is anger.

Anger because this man was a foreigner in his own country. What else are you, really, when you haven't a home of your own? Can you be a citizen of a society that's locked you out in the cold? I think not. Anger, then, over the wastefulness of it, of leaving a mind like that to try to keep itself warm because of some personal financial hiccup. Anger because he demonstrably deserved a place in a society that largely considers him outcaste.

And it's funny, because in spite of being everything we've talked about when discussing the plight of the West Indians in Britain, everything and more, I'm not sure if it's correct to post this here because, you see, he was very, very English.

Homelessness is hardly a post-colonial condition, after all. It predates colonialism. It predates the nation-states that, modernly, gave rise to colonialism. There's an argument to be made, if you're not daunted by the horribly confused semantics involved, that it predates civilization, arising cotemporally with the human species.

Does it follow that, in spite of suffering all the symptoms of the imperially disinherited, he and those like him are to be excluded from the discussion of the postcolonially afflicted over, and isn't this the malicious congruity to top them all, their nationality?

(I almost typed "ethnicity" before remembering that I'm talking about the English. Hah!)

Our purpose here, as far as I've been able to understand it, is the pursuit of some sort of alternative perspective to the "native" one, some amorphous thing we expect to have fallen out of the uneasy mixture that resulted when the unwanted bastards of an empire came home to claim an inheritance that nobody'd thought to prepare for them. I ask, in all seriousness: is dispossessed equally estranged as disinherited? Can circumstance make you a New British Voice even if you're from Old British Blood? Or do he and his fall outside the scope of our discussion because the country they face institutional discrimination in already has a high rate of occurrence for their alleles?

Château Rouge...and pigeons.


Time: 9AM
Location: 18th arrondissement, Paris
Neighborhood: Château Rouge

Upon arriving in Paris on June 4th, I was greeted by a much busier image of what you see above. About an hour after this was taken the street was filled with locals buying fresh produce for their afternoon snack or picking a good cut from the charcuterie for their Saturday night dinner. About three hours later, shortly after the police officers stationed right around the corner began their donut (or pain au chocolat) break, the "black market" was in full swing. Vendors appear out of nowhere, selling everything from Louis Vuitton bags to MAC makeup to Ray Ban sunglasses. (I was a little  upset about the sunglasses because I purchased mine in the states just before I came to Europe) Thirty minutes later the police return and the street empties faster than I can finish a gelato cone, which is extremely fast I can assure you. The same routine repeats throughout the day until dusk when everybody returns to their shabby Parisian apartments and try their best to feed their families. After a few hours of my first day in Paris my initial fears of the "sketchy" neighborhood subsided. It was then that I started to observe the interactions of its people.

The community in Château Rouge sounds like it came straight from The Lonely Londoners. Everybody gets on like they are back in Cameroon or Ghana in their local villages. There are friends and enemies. Lovers and fighters. My favorite person was the apparent matriarch of the street. I called her the Queen Mother, and she reminds me of Tanty from The Lonely Londoners. As she was selling her MAC makeup you could tell that she ran that street. It was quite amusing and fascinating at the same time. I spent many days just observing when one day I saw something unexpected.

As I was exiting the Metro station (around the left corner in the photo) I watched as crowds quickly cleared and two French police officers tackled an African man. Of course, I am not sure of the circumstances surrounding his arrest, but seeing as he came from the black market I am guessing he was selling something illegally. The police officers, who were white, exhibited unnecessary brutality following the tackle, and after the shock left my face, I returned home.

I later thought about that incident and realized that I also see others illegally selling items in many places in Paris. The Metro, Notre Dame, the Eiffel Tower, etc. The majority of these people, though not all, are white and a majority of the places are tourist attractions. I realized that my neighborhood was a clear target for the police because few, if any, tourists walk the streets and the homogenous race of the neighborhood is able to shade any sense of racism that would be evident if an officer approached an African vendor among white vendors. I could easily be looking too far into this occurrence, but I never witnessed anything similar in central Paris, and the past of French police brutality doesn't help their case (see the 1995 film, La Haine). It may not have been intentionally racist, but I do believe there were undercurrents of racism in the incident.


If anybody is ever in Paris again, though, I do recommend spending an hour or two going out to neighborhoods like this and exploring the non-tourist Paris. Montmartre (the 18th arrondissement) is the closest one will get to experiencing "real" Paris. Even though the Sacré-Coeur is a major tourist attraction, the area has for the most part been able to retain its integrity as a true glimpse of Paris.





On another note, this little guy walked right up to Kelsey and I yesterday in London. No, we did not kill and eat. There were too many old English animal lovers in the area. (for any public viewers of this blog, that is a humorous reference to a book in our course)

Oh and that street in Paris has a fish market that attracts hundreds of pigeons that love to fly in your face. Maybe not hundreds, but enough to make me have many embarrassing encounters.

Saturday, 14 July 2012

It have some good Fusic in England

You are invited to post observations on how British music changed owing to the music of the immigrants from the Caribbean, South Asia, Africa, etc.  How did Calypso translate to England?  What are the roots of Dub?  What do we think of M.I.A. and the kind of politics she brings to the table.  Etc.  Do we get to listen to the radio here?
Here's "Crooked Beat," by The Clash, to give you some sounds to contemplate.  http://www.youtube.com/watch?v=dPMG52AOiiE

Wednesday, 11 July 2012

My Fellow American

Whilst attempting to enjoy a few beers and make some new friends, I was confronted with the unfortunate event of meeting a white racist individual from Virginia. He first noticed my skin color and gave me looks of disapproval. All the while I sit there and just wonder to myself, Is this for real? Am I truly being judged right now? And then it began.. this drunken individual began a rant about how WE MEXICANS are the reason that home-bound soldiers and those who are 'truly innocent' and BELONG in the country are unable to attain jobs in America. He also began to mention statistics and his "truths" as to why the country is the way it is now. According to him, I do not belong in America. I stole the rights of others because my family and relatives are illegal and have NO RIGHT to live there and should go back to where I came from.
I first attempted to explain my own views of the situation but he wasn't having it. He did not let me counter his arguments to let him know that my generations of family were in the country of The Republic of Texas before it became a state. He did not let me state that my family does in fact pay taxes and are good citizens of this country. He did not let me say that I am a successful student at a world-renowned prestigious university for which I busted my ass to get into like everyone else. He spoke as if my family and friends have not served in the military to protect this country, to fight along side others who believed in the same freedom.
One has the ability to empathize with others when one hears the stories of what happened to them or a friend or family member. We are able to feel the anger, the hurt, the appall, the astonishment, the rejection. But it is completely different when you experience it for yourself firsthand; especially when you are not even in the land that you claim as your own.
Here are two things that really got to me: Firstly, my friend that I was with is of the same race as I am; she does not look the part as much as I apparently do, and yet this individual couldn't help but to attack only me for my profile even though she stood by me, claimed her identity, and attempted to argue back. Secondly, one of his own friends that was sitting there and drinking with him was African American (another minority that apparently reaps off the government so he said). He had nothing to say directly to him and still he had to attack me for who I am.
Despite all these racist attacks and degrading insults, I feel sorry for him. He is the one who will not be able to deal with the truth of the acceptance of the minorities or the fact that within the next century or so, there will be no such thing as race. We will all be people in different situations trying to live life to the best that we can in order to set a bright future for our kin to come.
But thank you, my fellow American. Thank you for opening my eyes as to the true obstacles that I have felt and seen vicariously through others but never experienced before myself.

Looking with the Soul


There have already been several interesting posts about Brixton, but I just wanted to share a little story about this man. Right outside the market, Natalie and I stopped and had a conversation with a Jamaican salesman. He spoke to us about how racism is still a very real obstacle for him and how he notices people looking at him with disgust as they pass him by, for no apparent reason. One thing he said stood out to me in particular:

"But we don't care what color you are. We don't look with the eyes; we look with the soul."

Brixton Hair Salon





This is a picture of the hair salon Kelsey mentioned on the last post.The salon is a great representation of the blacks that live in Brixton: people from different places of the world, bringing their own cultural and fashion influences to Inglan

Gentrified Brixton

I ate jerk chicken for lunch in Brixton. A few of us bought boxes of it with purple rice and carrots from a man drinking a Jamaican Ginger Beer in a food truck around the corner from the market. The chicken was delicious, but the experience was not a horribly unique one for me. While my blonde hair and burnable skin definitely stood out from the hair salon I stood in front of to shovel in my lunch, Brixton reminded me of the neighborhood where my best friend lived in Dallas.

What was surreal and uncomfortable for me, happened an hour later. Plastering my face with jerk chicken was probably a typical Brixton experience--at least I hope so since that food was so good. The tiny gentrified white area, though, where I drank my double espresso from a royal blue cup and sat next to a faux distressed brick wall vividly displayed how gentrification invades a community. Around the corner from the three fish displays all having staring contests with one another, was a little haven of primarily white, upper middle class, hipsters. There was a coffee shop, a bakery, and a few other little stores. One of the walls was made of recycled cardboard tubes.

On the street outside, the current residents of Brixton laughed and joked with one another. That is their city, with their friends, and their children. None of those residents, so comfortable on the street or with the fish, were in this newly gentrified area. I asked myself why this area existed (cheap rent?) for the businesses certainly were not trying to expand the culture of the area, or become a part of the community. There are a thousand hipster villages in London. For an area with so much culture and vibrancy, this gentrification is a bit unsettling.

While walking around the Brixton Market yesterday, I found this art display commemorating people who lost their lives in a bombing of the area. The words that are lit up change and the light changes color randomly. This draws the viewer's attention to certain phrases at certain times as it is viewed. I thought it was interesting to see such a modern art display amid the hustle of the market, and one that pays homage to an act of violence since we were just talking about the violence in the area during the Brixton riots.

Tuesday, 10 July 2012

The newer British voices.

Something struck me during our bus ride to the Globe on Sunday. Among the driver's many jokes he made a blatantly racist undercut at Arabs in London. He disguised his racism by classifying Arabs in the same category as bankers, a profession rather than a race. This seemed slightly ironic to me because he had just finished praising the famous Harrods department store, which, by the way, is owned by an Arab. I was unsure what to make of his remark. When I think of racism in Europe I immediately direct my thoughts toward France. Apparently, the French are not the only ones who exhibit some xenophobia. The racism directed at Arabs in London, however, is evolved. French xenophobia in the 1990s created tensions in Parisian banlieues similar to those in Brixton in the 1980s. Both examples show impoverished minorities facing oppression from the city. The modern racism in London is focused on a rather successful group of people who practically own aspects of the city. Does this evolved racism have the potential to become a literary genre like literature we are currently studying? It has many striking differences from the "New British Voices" following WWII, yet many aspects are similar. What are everybody's thoughts?

Also, interesting point for those who don't remember...

The big scandal just before Princess Diana's death focused on her intimate relationship with Dodi Fayed, the Arab son of the Harrods owner. How could a member of the royal family, more importantly the mother to the heir of the throne, date a Muslim? The modern racism we witnessed the other day was present even then, and on a surprisingly publicized level.

Monday, 9 July 2012

I woz/ waakin doun di road/ di adah day.  .  .

Well, it was actually the South Bank, near where the bus let us off, when I saw this collage of artists, that included my man LKJ.  It seemed like Kismet, as far as the course was concerned.
Speaking of LKJ, has he come a tap natch poet?